Research and critically examine appropriate material to inform practice-based film and tv work.
Assignment Brief
CRITERIA (ABC) FORM
Course Name: Portfolio Production III
Course Code: CINE1122
Assessment Task: CW1 Production Research Essay (Individual Mark)
SPECIFICATION:
In this essay, document your production process so far demonstrating research and project development, relating to your individual role within a group, showing evidence of the planning and creative process, as well as some reflexive analysis.
Identify and critique the key challenges you face in your role using relevant examples and research appropriate sources, such as films, TV shows, texts, existing artefacts, influences, and organisations or experts to demonstrate your knowledge and expertise in terms of what is going on in the wider world.
Present your essay in a professional manner including relevant images or links to video content that demonstrate your knowledge and expertise in your field. Write a conclusion summarising how your research will be implemented in your film / TV project and ensure this is in keeping with the group vision as stated in the executive summary.
DELIVERABLES:
- Write a group ‘Executive Summary’ defining the aims and group vision of the film /TV project you are filming in the second term. All group members should include this at the beginning of your individual essay (500 words - +/-10%).
- Write an essay (2500 words +/-10%) defining what your aim(s) for your film/ TV project is in relation to your specific job role and your group Executive Summary.
- Include a bibliography and include Harvard referencing
- Save the document as Surname_firstname_Cine1122_CW1
Word count: 2500 (+/- 10%, excluding bibliography)
Failure to deliver all of the above will result in failure of at least one of the assessment criteria. Course Learning Outcomes to be met through this Brief:
- Research and critically examine appropriate material to inform practice-based film and tv work.
- Monitor and review your film and tv practice, considering the value of your work in different contexts.
- Critically evaluate your practice, synthesising the research and practical knowledge that you have gained on this programme.
SUBMISSION:
Equipment/Facilities/Resources required:
Access to library, Moodle, internet and word processor.
Estimated Hours for completion: 40
Date of Return of Assignments: 01/02/2021 (subject to staff availability)
Course Leader:
Lee-Jane Bennion-Nixon + Chris Nunn
Assessment Criteria
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Module Name |
Portfolio Production III |
Code |
CINE1122 |
Hand in Date |
11/01/21 |
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Assessment Task |
CW1 Production Research Essay |
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Assessment Weighting |
20% |
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LO2: Knowledge and Understanding |
LO1: Research |
LO4: Critical Judgement |
LO1: Structure, Presentation and Referencing |
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Have you understood the topic of the brief? Is your role on the film, and aims within that role, clear? Are you able to communicate your understanding of the wider subject area that your essay is addressing? |
Have you cited any critical sources in your essay? Are they from the taught module or your own research? Have you engaged with and discussed these sources in your writing? |
Is there a coherent argument in your piece? Are you able to articulate thinking beyond those sources that you have referenced? |
Have you structured your essay appropriately, including an introduction and conclusion, for example? Is the writing to a high standard with minimal errors? Have you referenced your sources? |
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Exceptional (80-100) |
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Clear, detailed and insightful knowledge/understanding of the topic of the assignment and wider subject area, including relevant theoretical/critical approaches; the assimilation and integration of material not directly covered in the module. In-depth knowledge and awareness of requirements of chosen role on graduate film. |
Multiple critical sources cited and discussed. A number of these move beyond the materials provided by the taught module. Discussion of research sources leads to new, innovative conclusions. |
A coherent and unique line of argument throughout the assignment backed up with excellent analysis; an ability to go beyond the arguments presented in the critical literature; evidence of independent and/or original thinking. Publishable. |
An appropriate and elegant structure that ensures exceptional organisation of material and detail. Impeccable referencing and bibliography presented according to the Harvard referencing system. Excellent presentation of work, subtle errors in spelling and/or grammar. Publishable. |
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Excellent (70 -79) |
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Clear and detailed knowledge/understanding of the topic of the assignment and wider subject area, including relevant theoretical/critical approaches; includes some material not directly covered in the module. Clear knowledge |
Multiple critical sources cited and discussed. A few of these move beyond the materials provided by the taught module. Discussion of research sources leads to new conclusions. |
A coherent line of argument throughout the assignment backed up with excellent analysis; an ability to go beyond the arguments presented in the critical literature; |
An appropriate and elegant structure that ensures excellent organisation of material and detail. Impeccable referencing and bibliography presented according to the Harvard referencing system. Excellent presentation of work, subtle errors in |
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and awareness of requirements of chosen role on graduate film. |
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evidence of independent and/or original thinking. |
spelling and/or grammar. Publishable with minor amendments. |
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Very Good (60 – 69) |
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Clear knowledge/understanding of the topic of the assignment and wider subject area, including relevant theoretical/critical approaches. Clear awareness of requirements of chosen role on graduate film. |
Critical sources cited and discussed, though all are from the taught module. Some discussion of research sources. |
A coherent line of argument throughout the assignment backed up with good analysis; good understanding and synthesis of the arguments presented in the critical literature. |
An appropriate structure that ensures good organisation of material and detail. Very good referencing and bibliography presented according to the Harvard referencing system. Good presentation of work, with some errors in spelling and/or grammar. |
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Good (50-59) |
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Some knowledge/understanding of the topic of the assignment and wider subject area, including relevant theoretical/critical approaches. Some awareness of requirements of chosen role on graduate film. |
Critical sources cited but not fully discussed. Research is gestured towards but not engaged with. |
An identifiable line of argument throughout the assignment backed up with satisfactory analysis; some problems understanding and synthesising the arguments presented in the critical literature. |
A functional structure that ensures satisfactory organisation of material and detail. Referencing and bibliography presented according to the Harvard referencing system. Satisfactory presentation of work, with errors in spelling and/or grammar. |
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Satisfactory (40-49) |
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Weak knowledge/understanding of the topic of the assignment. Lacking in knowledge of theoretical/critical approaches. Little awareness of requirements of chosen role on graduate film. |
Some sources present but not discussed. Research is lacking overall. |
Weak argument throughout the assignment not well integrated with weak analysis; problems understanding and synthesising the arguments presented in the critical literature. |
A weak and incoherent structure that does not ensure satisfactory organisation of material and detail. Referencing and bibliography presented according to the Harvard referencing system but with errors. Presentation of work could be improved - multiple errors in spelling and/or grammar. |
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Fail (30-39) |
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Poor knowledge/understanding of the topic of the assignment. Little knowledge of theoretical/critical approaches. Little awareness of |
Very little evidence of engagement with research or critical sources. |
Poor argument throughout the assignment not well integrated with weak analysis; Problems understanding and synthesising the arguments presented |
A poor and incoherent structure that does not ensure satisfactory organisation of material and detail. Inconsistent/incomplete referencing and bibliography. Poor |
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requirements of chosen role on graduate film. |
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in the critical literature. |
presentation of work overall. |
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Serious Fail (0-29) |
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Little or no |
No evidence of |
No argument |
Non-existent structure |
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knowledge/understanding |
engagement with |
presented |
that leads to |
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of the topic of the |
research or critical |
throughout the |
disorganised |
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assignment or knowledge |
sources. |
assignment which is |
presentation of material |
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of theoretical/critical |
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not integrated; no |
and detail. No |
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approaches. No awareness of requirements of chosen role on graduate film. |
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analysis presented. No critical literature presented. |
referencing and bibliography presented. Extremely poor presentation of work. |
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Sample Answer
Executive Summary – Group Vision and Aims
Our film project, titled "Fractured Lines", is a psychological drama short film exploring themes of memory, identity, and trauma. Set in a contemporary urban environment, the film follows the story of a young woman, Maya, who experiences fragmented flashbacks after surviving a car accident. As she pieces together these memories, Maya confronts unresolved childhood trauma and begins a journey of self-discovery and healing.
Our group vision is to create a visually arresting and emotionally engaging film that challenges viewers to consider how personal histories shape present realities. Drawing inspiration from films like “Memento” (2000) and “Eternal Sunshine of the Spotless Mind” (2004), we aim to use non-linear storytelling and stylistic visuals to reflect Maya’s fractured psychological state. We are also influenced by recent British independent films such as “Aftersun” (2022), which use minimal dialogue and visual cues to convey complex emotions.
Our goals are:
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To deliver a short film (approx. 10 minutes) with high production values, using naturalistic cinematography and a muted colour palette to reflect the emotional tone.
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To explore subjective reality, using editing techniques such as jump cuts, match cuts, and overlays to reflect Maya’s fragmented memory.
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To promote mental health awareness, showing how trauma affects memory and identity.
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To demonstrate collaborative filmmaking, ensuring each crew member brings their expertise to develop a unified vision.
As a group, we are committed to sustainable and ethical production practices, ensuring we work within budget, respect all locations and contributors, and maintain a safe, inclusive creative environment. Our target audience is festival viewers and streaming audiences, particularly those interested in character-driven narratives and psychological themes.
Production Research Essay: The Role of Director in Fractured Lines
Introduction
As the director of “Fractured Lines,” my responsibility is to translate our group’s creative vision into a cohesive film, guiding the narrative, visual, and emotional direction of the project. This essay documents my research, planning, and reflexive analysis, examining key influences and the challenges I face in my role. Through critical engagement with relevant films, texts, and industry practices, I aim to demonstrate how my research informs the creative and logistical decisions for our production.
Continued...