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The Story of Little Red Riding Hood as a Moral Lesson on Gender, Power, and Social Control

Assignment Brief

Write a 1500-word essay in answer to any one of the questions below. The essay must include endnotes and a bibliography of works you have consulted (these do not count towards the word limit). 

  1. Dyer (1977) argues that ‘How we are seen determines how we are treated, and how we treat others is based on how we seem them. How we see them comes from representation’. Discuss with reference to EITHER the representation of black women in the set poems by India Hosten-Hughes OR chapter one of Sam Selvon`s `Lonely Londoners`.  

  2. Connell argues that there is not one masculinity, but many different masculinities, each associated with different positions of power. Discuss with reference to George Mpanga`s `The Blame Game` (2013) AND chapter one of Sam Selvon`s `Lonely Londoners`.  

  3. Love, creativity and curiosity are central to being human. Discuss with reference to the set extract from Orwell`s `1984` (1948).

  4. Maplesden argues `that idealized whiteness and femininity are discursively embodied in these Disney heroines in complex and contradictory ways`. How far do you agree/disagree with this argument? Your essay should make direct reference to Disney`s `Beauty and the Beast` (1991) AND `The Little Mermaid` (1989)

  5. According to Hall, in early representations `Black people were reduced to signifiers of their physical difference. […] Traces of these racial stereotypes persist` in popular representations today. (Hall, `Representations`, 1997) . How far do you agree? Please answer with reference to EITHER Mark Knight`s, cartoon of Syrena Williams after US Open, (Australian ‘Herald Sun’, 10/9/18) OR Jackie Kay`s poem `In my Country`, 1993.

  6. How is the title `Call Me By Your Name` significant? Think of what it means in terms of identity and identification and how it plays out in the rest of the film/novel (you may answer this question looking at the film, at the novel, or both).

  7. What can folktales reveal about the lives of the poor in Early Modern Europe?

  8. Luca Guadagnino’s take on André Aciman’s novel ‘Call Me by Your Name’ has been called “an adaptation that’s utterly faithful in spirit while necessarily distinct in execution”. Discuss, with explicit reference to both film and novel. 

  9. The story of `Little Red Riding Hood` was invented to teach young girls that they should not speak to strangers. Discuss.

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Sample Answer

The Story of Little Red Riding Hood as a Moral Lesson on Gender, Power, and Social Control

Introduction

The story of Little Red Riding Hood is one of the most recognisable folktales in Western culture. It has been told and retold for centuries, most famously in the versions recorded by Charles Perrault in the late seventeenth century and the Brothers Grimm in the nineteenth century. While often presented today as a simple children’s story, Little Red Riding Hood carries a far deeper moral and social function. Many scholars argue that the tale was deliberately shaped to warn young girls against speaking to strangers and to regulate female behaviour within patriarchal societies. This essay argues that Little Red Riding Hood was indeed invented and refined as a moral lesson aimed at young girls, but its purpose extends beyond a simple warning about strangers. Instead, the story reflects broader anxieties about female sexuality, obedience, and vulnerability, revealing how folklore was used as a tool of social control in early modern Europe.

Historical context of the folktale

To understand the meaning of Little Red Riding Hood, it is essential to consider the social context in which it emerged. Folktales were originally part of an oral tradition, passed down within communities rather than written for children. These stories often addressed real dangers faced by ordinary people, including violence, poverty, and exploitation. In early modern Europe, young girls were particularly vulnerable due to limited legal protection and strict expectations surrounding female behaviour.

Charles Perrault’s 1697 version of Little Red Riding Hood is especially revealing. Unlike later adaptations, his version ends with the girl being eaten by the wolf, with no rescue or happy ending. Perrault explicitly states the moral of the story, warning young girls not to listen to strangers, particularly charming men who disguise their intentions. This suggests that the tale functioned as a cautionary narrative designed to instil fear and obedience rather than comfort or entertainment.

Speaking to strangers as a central warning

At its most literal level, Little Red Riding Hood teaches children, especially girls, that speaking to strangers can have dangerous consequences. The wolf’s success depends entirely on conversation. He approaches the girl politely, asks questions, and gains information about her destination and her grandmother’s location. By talking to him, Little Red Riding Hood unintentionally enables her own downfall.

This emphasis on speech is significant. The girl is not punished for disobedience alone but for engaging in conversation. In many versions, she strays from the path, lingers in the forest, and allows herself to be distracted. These actions symbolise a failure to follow instructions and reinforce the idea that safety lies in silence and compliance. The message is clear. A well behaved girl listens, does not question authority, and avoids interaction with unfamiliar figures.

Gender, sexuality, and symbolism

Beyond the surface narrative, Little Red Riding Hood contains strong symbolic elements related to gender and sexuality. The red hood itself has often been interpreted as a symbol of menstruation and sexual maturity, marking the girl’s transition from childhood to womanhood. The forest represents a dangerous and uncontrolled space outside society, while the wolf embodies predatory masculinity.

In this reading, the story becomes a warning not simply about strangers, but about male desire and female vulnerability. The wolf’s deception mirrors social fears about seduction, assault, and moral corruption. The fact that the girl is blamed for speaking to him reinforces the idea that women are responsible for managing male behaviour by controlling their own actions.

This interpretation is supported by Perrault’s moral, which explicitly compares wolves to men who appear polite but harbour dangerous intentions. The story thus reinforces patriarchal beliefs that women must be cautious, modest, and restrained to avoid harm.

Differences between Perrault and the Grimms

Later versions of Little Red Riding Hood, particularly those recorded by the Brothers Grimm, soften the story’s brutality. In their version, a huntsman rescues both the girl and her grandmother by killing the wolf. This change reflects shifting attitudes towards childhood and morality in the nineteenth century, where stories were increasingly sanitised for young audiences.

However, even in the Grimm version, the underlying message remains intact. The girl’s survival depends on male intervention, reinforcing the idea that women require protection. In some later adaptations, Little Red Riding Hood promises never to stray from the path again, highlighting repentance and obedience as key virtues.

These changes do not remove the story’s moral framework but adapt it to different cultural expectations. The central lesson about obedience, danger, and female behaviour persists.

Social control and moral education

Folktales like Little Red Riding Hood played an important role in moral education long before formal schooling was widespread. They communicated social norms through fear, repetition, and memorable imagery. By targeting young girls, the story reinforces gender specific expectations and prepares them for restrictive social roles.

The tale discourages independence, curiosity, and verbal engagement, qualities that were often viewed as dangerous or inappropriate for women. In this sense, the warning against strangers becomes a broader warning against autonomy. The story teaches that deviation from prescribed behaviour leads to punishment, while compliance leads to safety.

Modern reinterpretations and critiques

Contemporary retellings of Little Red Riding Hood often challenge its traditional message. Feminist writers and filmmakers have reimagined the girl as clever, empowered, or capable of defeating the wolf herself. These reinterpretations expose the limitations of the original moral and question why responsibility for violence is placed on the victim.

Modern audiences are increasingly aware of how such stories shape attitudes towards gender and blame. While the original tale reflects the realities and fears of its time, it also perpetuates harmful ideas about responsibility, silence, and obedience that continue to influence society today.

Partly, yes. But it also reflects deeper fears about gender, obedience, and social behaviour.

Many critics see it as a symbol of maturity and sexuality, marking the girl’s vulnerability.

Perrault wanted the moral lesson to be unmistakable and frightening.

Some do, especially feminist retellings that give the girl more agency.

Olivia

Honestly one of the clearest literature essays I’ve read. Helped me finally understand the symbolism.

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★★★★★
Mark

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James

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Thomas

Loved how it explained the history and meanings without overcomplicating it. Super helpful.

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