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Critically appraise two of the theories or concepts explored throughout this module. This should be done in the context of specific aspects of tourism considered throughout this module. (Food & Drink Tourism; Tourism Trails; Film Tourism; Heritage Tourism

Assignment Brief

COURSEWORK

Session: 2020/21

Semester: 1

Module Number: CBM831
Module Title: Leisure Tourism: Theory And Application

CW :1  Weighting: 100%

PLAGIARISM

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Before submitting assignments, you should check through it to ensure that:

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  • direct quotations are marked as such (using “quotation marks” at the beginning and end of the selected text), and
  • full details of the reference citations have been included in the Reference List (in RGU Harvard format).

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WORD COUNT

If the word count of an assessment is considered critical, then this will be reflected in the assessment criteria for that assessment.

Generally, the title page, executive summary (or abstract), contents page, lists of tables and figures, glossary (if required), reference list, and any appendices are not part of the word count.

Everything in the main body of text, including headings, sub-headings, citations and direct quotes, is included in the word count.

Anything you consider essential for your marker to read should be in the main body of text. Anything that is supplementary or supporting material should be in the appendices. Regarding tables in the main body of text:

  • A table containing mainly numeric content would not be considered part of the word count.

  • A table containing mainly text content would be considered part of the word count.

Brief

Critically appraise two of the theories or concepts explored throughout this module. This should be done in the context of specific aspects of tourism considered throughout this module. (Food & Drink Tourism; Tourism Trails; Film Tourism; Heritage Tourism; Dark Tourism; The Trouble with Tourism; The Solo Tourist or Tour Groups). You may discuss any number of aspects, but they should be clearly relevant to the appraised theories/concepts.

Throughout the work, you are required to refer to a wide range of relevant academic literature and appropriate real examples which exist within tourism.

Based on your appraisal, you are required to propose appropriate recommendations which could be of value to relevant destinations or organisations within the tourism industry.

Ensure your work follows a professional structure – including contents page, executive summary and correctly structured reference list.

In week 10, there will be an opportunity for individual meetings with lecturer to discuss your plans for coursework. In preparation for this you are expected to complete the “Coursework Proposal Pro-forma” which can be found below.

Criteria for Assessment:

Criteria for assessment is outlined in the marking grid below.

Word Length:

3000 - 3500 words

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Sample Answer

Leisure Tourism: A Critical Appraisal of Dark Tourism and Film Tourism

Executive Summary

This report critically appraises two key tourism concepts: dark tourism and film tourism. Both have grown significantly in recent years and play an important role in shaping destination experiences and visitor motivations. The report evaluates the theoretical foundations of each concept, examines their application in real-world contexts, and explores their wider social, cultural, and economic implications.

Dark tourism raises ethical concerns around the commodification of death and tragedy, while film tourism highlights the power of media in influencing travel behaviour. Through critical analysis, this report argues that both forms of tourism offer strong economic opportunities but must be managed carefully to avoid negative social and cultural impacts. The report concludes with practical recommendations for tourism organisations and destinations.

Introduction

Tourism is a dynamic and evolving industry influenced by cultural, social, and technological changes. In recent years, niche forms of tourism have gained attention, particularly those shaped by media and emotional engagement. This report focuses on dark tourism and film tourism as two contrasting yet influential concepts within leisure tourism.

The aim is to critically analyse these concepts using relevant academic theories and real-world examples. The report also explores how these forms of tourism impact destinations and proposes recommendations for effective and responsible management.

Concept 1: Dark Tourism

Dark tourism refers to travel to sites associated with death, tragedy, and suffering (Lennon and Foley, 2000). Examples include Auschwitz in Poland, Ground Zero in New York, and Chernobyl in Ukraine.

Theoretical Perspective

One key theory linked to dark tourism is thanatourism, which focuses on the human fascination with death. Seaton (1996) suggests that individuals are drawn to such sites for educational, emotional, or reflective reasons. Another perspective highlights the role of media in shaping interest in these destinations.

Critical Evaluation

Dark tourism can provide important educational value. For example, visits to Holocaust memorial sites can promote historical awareness and reflection. These sites often play a role in preserving collective memory and preventing historical denial.

However, there are significant ethical concerns. The commercialisation of tragedy can lead to insensitive or exploitative practices. For instance, some tourists may treat these sites as entertainment rather than places of remembrance. This raises questions about respect and authenticity.

Another issue is the management of visitor behaviour. Without proper regulation, overcrowding and inappropriate actions can undermine the purpose of these sites.

Concept 2: Film Tourism

Film tourism refers to travel to destinations featured in films or television programmes. Popular examples include New Zealand for The Lord of the Rings and Dubrovnik for Game of Thrones.

Theoretical Perspective

Film tourism is closely linked to media influence theory, which suggests that visual media can shape perceptions and desires. According to Urry’s concept of the “tourist gaze”, tourists are influenced by images and representations when choosing destinations.

Critical Evaluation

Film tourism can bring significant economic benefits. It increases visitor numbers, boosts local businesses, and enhances global visibility. For example, New Zealand experienced a major increase in tourism following The Lord of the Rings films.

However, there are also challenges. One major issue is overtourism. Destinations featured in popular media can become overcrowded, leading to environmental damage and pressure on local infrastructure.

Another limitation is the temporary nature of demand. Interest in a location may decline once a film or series loses popularity. This makes long-term sustainability a concern.

Additionally, film tourism can distort the reality of a destination. Visitors may arrive with unrealistic expectations based on fictional representations, leading to dissatisfaction.

It is visiting places linked to death, tragedy, or historical suffering.

It is travelling to locations featured in films or TV shows.

Because it can be seen as exploiting tragic events for profit.

It is when too many tourists visit a location, causing damage and overcrowding.

Daniel

Really well structured and easy to follow. Got a high mark for this.

United Kingdom

★★★★★
Alice

Clear analysis and good examples. Didn’t feel generic at all.

United Kingdom

★★★★★
Ethan

Helped me understand the theories properly. My lecturer liked it.

United Kingdom

★★★★★
Robert

Very professional and detailed. Saved me loads of time.

United Kingdom

★★★★★